THE LEGEND OF GRACE O’MALLEY, PIRATE QUEEN
will be read at the Portuguese Artists Colony
Hotel Rex, San Francisco
Mar 24, 2013
EXIT WOUNDS had a developmental staged reading, directed by M. Graham Smith, at the Magic Theatre @ The Costume Shop in San Francisco in February.
THE BEE OF AMERICA and HERE COMES THE NEW YEAR were produced as part of the One-Minute Play Festival in San Francisco in December.
ZOMBIE TOWN: A DOCUMENTARY PLAY was produced by Theatre UCF in Orlando, Florida, in November.
ZOMBIE TOWN: A DOCUMENTARY PLAY was produced by Players Theatre in Sarasota, Florida, in October.
I read a short piece at Revolution Cafe as part of Litquake’s LIT CRAWL SAN FRANCISCO in October.
ENTER GHOST was part of PianoFight Theatre’s Roughin’ It 2 Festival of site-specific work in September.
PLAY IT AGAIN, FRIEND was part of the Pint-Sized Plays Festival at San Francisco Theater Pub in July.
I hosted the Portuguese Artists Colony literary event NARROW PLACES at Hotel Rex in July.
HOODOO CHILD was part of Shotz:I.P.O. by aMios Theater in San Francisco in July.
ZOMBIE TOWN: A DOCUMENTARY PLAY had a staged reading as part of a benefit for TriArts Sharon Playhouse in Lakeville, CT in July.
I hosted the Portuguese Artists Colony literary event REALITY SHOW at Hotel Rex in March.
I interviewed Stephen Schwartz (Wicked, Pippin, Godspell) onstage at Aurora Theatre for A CONVERSATION WITH STEPHEN SCHWARTZ: A Dramatists Guild Event in March.
I read my short story OKAY, MY FRIEND as part of the Portuguese Artists Colony reading at Hotel Rex in February.
WHAT PARTICULAR SKILLS DO YOU BRING TO THE WORKPLACE? was produced as part of the San Francisco One-Minute Play Festival at Thick House in December.
ZOMBIE TOWN: A DOCUMENTARY PLAY was part of PlayFest at Orlando Shakespeare Theater in November.
SEPARATE VACATIONS, a full-length play improvised from an opening scene I wrote, was staged as part of ‘Act One: Scene Two’ by Un-Scripted Theater in August.
SEEING MR. ALBERT won the Live Writing Contest by the Portuguese Artists Colony at Fivepoints Arthouse in August.
I spoke on a panel called ‘Dramatists on the Web’ at the DRAMATISTS GUILD NATIONAL CONFERENCE in Fairfax, VA in June.
HOT SPOT was produced by the Bay One-Acts Festival in San Francisco in March.
IN THE PALE EARTHLIGHT, my first musical, had a staged reading by PlayGround in January.
NEW HOUSE was produced by The SF One-Minute Play Festival in San Francisco in December.
US AGAINST THEM was a finalist for the Heideman Award in November.
ZOMBIE TOWN: A DOCUMENTARY PLAY was produced by Stage Werx in San Francisco in October.
ZOMBIE TOWN: A DOCUMENTARY PLAY was produced by Southern Rep in New Orleans in July.
LETTERS TO AN OLD POET was read (by me) at The Portuguese Artists Colony monthly reading at Fivepoints Arthouse in San Francisco in June.
A FUTURIST SUPERSAGA IN SIX ACTS was produced as part of the Best of PlayGround Festival at San Francisco’s The Thick House in May.
THE SECRET RULERS OF THE WORLD GO TO CAMP had a staged reading as part of the Best of PlayGround Festival at San Francisco’s The Thick House in May.
THE CODE MONKEY had a staged reading by the Eugene O’Neill Foundation in May.
US AGAINST THEM was produced by San Francisco’s PianoFight as part of ShortLived 3.0 in May.
THE RESTORATION was produced by San Jose’s Arclight Rep in April.